Art on view in Taiwan now

A tall metal egret glows beside Keelung Art Museum at dusk. Round ship windows form its body, chains form its legs, and a light hangs from its beak.

Li Cheng-Liang, Patrol Egret No. 1

Li Cheng-Liang

Work: Li Cheng-Liang. Photo: 嘟嚕影像工作室; image courtesy of Keelung Art Museum. Editorial use.

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Exploring the Limits of Color—Kao Yung-Chung Solo Exhibition

Kao Yung-Chung

Kao Yung-Chung exhibition poster. Image: NYCU Arts Center. Editorial use.

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Michael Craig-Martin: The Language of the Everyday

Michael Craig-Martin

Michael Craig-Martin, Inhale/Exhale (2002), © Michael Craig-Martin, courtesy Gagosian. Poster published by KMFA. Editorial use.

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14453 exhibition image: a pale lavender and green horned creature lifts its head, with orange-purple butterfly wings behind it, small raised bumps and gold fastenings across a seam. The title appears above; Lee Shih-Hwa's name and exhibition dates are below.

Lee Shih-Hwa: 14453 exhibition image

Lee Shih-Hwa

Art: Lee Shih-Hwa. Exhibition image: Tu Xing Studio / Soil Space, 14453 exhibition page. Editorial use.

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Xhin Toh stands bare-chested in a green landscape with broken ground, holding a photograph of a weathered LAYANG-LAYANG station sign across his body.

Layang-Layang Drifts Afar series image

Xhin Toh, Layang-Layang Drifts Afar series. Image published by Lightbox Photo Library.

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Exhibition poster combining green vegetation with a held photograph of an old van. White Chinese lettering gives the exhibition title; dates are October 17–November 28, 2026.

Layang-Layang Drifts Afar exhibition poster

Exhibition poster: Lightbox Photo Library; photograph: Xhin Toh.

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White and purple opening-forum poster. Large November 1 date, 09:50–17:30, National Museum of Taiwan Literature first-floor auditorium, free participation and Mandarin interpretation are listed beside the biennial's coloured loops.

Tainan Art Biennale opening forum

Opening-forum poster: Tainan Art Museum.

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A cream ear against yellow and orange bars contains a portrait of doctor 蔡阿信 wearing glasses. TimeGuide lettering runs below.

Doctor 蔡阿信 inside the TimeGuide ear

First-frame graphic from StoryStudio's 開一帖平等處方箋 promotional film.

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Texture: visitor graphic

Texture Printmaking Studio

Texture Printmaking Studio's visitor graphic, published in its October 2026 introduction.

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A blue exhibition poster on a wall shows a pale figure holding small black animals. A black cat appears at the lower left and a flying saucer with green passengers floats at the right.

Where The Star Rest: exhibition image

Lim Yesool / Black Jelly Club

Art: Lim Yesool / Black Jelly Club. Image published by the artist.

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Open textbooks line two yellow tables. A blurred visitor passes between them, with bookshelves, a silver backdrop and tall coloured shapes beyond.

Yellow book tables, a visitor passing between

Gallery photograph published jointly by School Textbooks Design Award and Taiwan Design Museum. Exhibition graphic design: 張翔 and Yun Ruei Zhou.

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A face sits inside a black disc on a cloudy plain, with a three-dot typing bubble above it. The lower band names the encounter and November 6–7 Huashan dates.

The Artist Is Typing…: event graphic

Event graphic published by Taiwan Art Value Association on ACCUPASS.

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Pink, red, yellow, green, orange and blue geometric blocks, radiating circles and vertical TAIPEI lettering form the exhibition graphic.

C-GRAPHIC/TAIPEI: Taipei exhibition graphic

Javin Mo and Tetsuya Goto

Graphic: Javin Mo and Tetsuya Goto. Image supplied by the curators and published by NOKE.

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Four circular mandalas fill a red painting. Nested square palaces and small figures sit within black-and-gold rings, with further rows of figures along the top and bottom.

Four mandalas from the Vajravali series

Newar painters

Four mandalas from the Vajravali series, 15th century, by Newar painters working in Tibet. Loan from the Rubin Museum of Himalayan Art; image published by the National Palace Museum. Editorial use.

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A gold-coloured multi-armed figure beside the exhibition's deep-blue title panel. The poster names Gallery S101 and the two rotation dates.

Crossing the Himalayas exhibition poster

Crossing the Himalayas poster, published by the National Palace Museum. Editorial use.

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A cobalt-blue room contains two padded yellow door-handle shapes, long plinths with small rounded objects, and a white upholstered window-seat form occupied by a visitor.

Huang Shao-ying: 休憩室 (Resting Room)

Huang Shao-ying; photograph by ANPIS FOTO／王世邦 · 2026 · Fabric, found objects and wood

Huang Shao-ying, 休憩室 (Resting Room), 2026. Photograph: ANPIS FOTO／王世邦; published by MoCA Taipei. Editorial use.

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Four monitors around a corridor show a uniformed man and a blue van beside rock. A staffed desk is visible at the left edge.

Val Lee: Museum Security

Val Lee; photograph by ANPIS FOTO／王世邦 · 2026 · Four-channel video, 5 min 5 sec

Val Lee, Museum Security, 2026. Four-channel video, 5 min 5 sec. Installation photograph: ANPIS FOTO／王世邦; published by MoCA Taipei. Editorial use.

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Small photographs on sticks cross a broad green leaf on a red tablecloth, beside a biscuit tin, hanging coffee packets, a pale basket and a framed photograph.

許維怡: 沒有辣椒沒有用

許維怡

許維怡, 沒有辣椒沒有用, in Photography on the Table. Image supplied by the Photography on the Table team; published by NCPI. Editorial use.

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White brush-script lettering on a black poster with rainbow reflections, listing October 9–November 8 and four artists; a second panel gives October 16–November 8 for Theater on Paper.

Dialogic Generative: The Fluid Image Event poster

2026

Dialogic Generative: The Fluid Image Event, 2026 poster. Published by NCPI. Editorial use.

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Four carved wooden people around an enormous wooden hand: one hugs his knees on a tall dark plinth, another rests his head beside the hand, and two stand behind in pale and black shirts.

MOOFOO's wooden figures

MOOFOO

Work by MOOFOO. Photograph: 意識影像EDstudio; supplied by Chiayi City and published on CNA's press platform. Editorial use.

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A three-legged wooden stool with a central hole, separate stool parts, a carved figure and bird hooks stand before white pegboard; the panel at left introduces the two makers.

MOOFOO's Wood Life display

MOOFOO's display in Wood Life. Installation photograph published by MOOFOO. Editorial use.

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Two ochre clay tigers stand and recline in front of blue mountains with mirrored faces, photographed on green turf.

East Lin · Yushan tigers

East Lin

Work: East Lin. Photography: @phtsai_tw; photography assistance: @idlesome. Published by @eastlin8333. Editorial use.

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An enormous white shirt hangs across the storeys of an old house; people write on its lower edge.

Giant clothes on Changrong Street

Loremipsum

Supplied by Chiayi City, published on CNA's press platform. Editorial use.

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White Ecologies of Making poster with shell-like objects along a red cord and a net-like structure; dates October 25–November 29.

Elena Redaelli: Ecologies of Making

Elena Redaelli

Elena Redaelli, Ecologies of Making exhibition poster. Published by Hsinchu Railway Art Village on the NCAF event platform. Editorial use.

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Fish, prawns, roe and green leaves decorate a dark rectangular box with a glossy surface, photographed against grey.

散壽司繽紛之盒

Joshin Hiroko · 2026 · Copper, silver, ceramic and shippo enamel

Joshin Hiroko, 散壽司繽紛之盒, 2026. Copper, silver, ceramic and shippo enamel, 17 × 8 × 5 cm. Image published by FUGUEI Museum. Editorial use.

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Pale flower heads and green leaves fill a square wooden panel against a purple-brown pattern resembling a weave.

Humidity 93%

Minowa Mami · 2026 · Wood inlay

Minowa Mami, 濕度 93%, 2026. Wood inlay, 29 × 29 × 3.5 cm. Image published by FUGUEI Museum. Editorial use.

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Two wooden chairs face four square calligraphy works on a white wall, with black-and-white, red-and-black, and green-and-orange strokes.

Calligraphy inside the former school

Chen Shih-Hsien

Calligraphy by Chen Shih-Hsien inside the museum. Photograph published by Siraya National Scenic Area Administration. Editorial use.

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Grey-black ink spreads across white paper beneath a long yellow stroke; sheets in front carry black calligraphy.

Ink wash and a yellow stroke

Chen Shih-Hsien

Work by Chen Shih-Hsien. Photograph published by Siraya National Scenic Area Administration. Editorial use.

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Kitashima’s acrylic painting: a pink-capped figure watches a dripping inverted green pacifier above oysters and tempura. A bear carrying a red cherry floats overhead.

Sometimes Turning Upside Down

Takuya Kitashima

Artwork: Takuya Kitashima. Image: Uartcube Lab. Editorial use.

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A whole picture-book spread: a green tree on an island at upper right, fine coloured wave marks, underwater rock and coral outlines. Taigi text sits at upper left.

若是一个島想欲去旅行: island and tree

儲玉玲

Words and artwork: 儲玉玲. Published by KIDO; image source: Nani. Editorial use.

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A whole picture-book spread with the tree-topped island at left, a sea of curved fine strokes, green cloud shapes at lower right and Taigi text following the waves.

若是一个島想欲去旅行: looking out to sea

儲玉玲

Words and artwork: 儲玉玲. Published by KIDO; image source: Nani. Editorial use.

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An orange disc with fine radial lines hangs beside a transparent blue-lit lens, with reflections in a dark circular mirror below.

Solar / Lunar 日月

謝鎮璘 DAMONXART

謝鎮璘 DAMONXART, Solar / Lunar 日月. Image published by Taipei Lumitree. Editorial use.

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A huge red-orange sun spans a white column and blue-lit glass walls, with a visitor standing at the right for scale.

Sun Hue 陽顏

謝鎮璘 DAMONXART

謝鎮璘 DAMONXART, Sun Hue 陽顏. Image published by Taipei Lumitree. Editorial use.

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A glowing orange lunar ring crosses a column and the glass walls beneath a dark canopy at night.

Moon Hue 月顏

謝鎮璘 DAMONXART

謝鎮璘 DAMONXART, Moon Hue 月顏. Image published by Taipei Lumitree. Editorial use.

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Numbered red, green and yellow folding seats line a bright yellow steel enclosure on the grass, with circular cut-outs framing buildings in Yuanshan.

《巨人坐著整個月》

Li Cheng-Liang · 2026

Li Cheng-Liang, 《巨人坐著整個月》. Image published by Taipei City Department of Cultural Affairs. Editorial use.

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A freestanding photograph beside the park lawn shows a single-storey house, palms, grass and a garage, with the words Find Your Dream Home in Americano.

《亞美利加諾》

Huang Kuan-Chieh · 2026

Huang Kuan-Chieh, 《亞美利加諾》. Image published by Taipei City Department of Cultural Affairs. Editorial use.

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《客製化插旗》

Godkidlla · 2026

Godkidlla, 《客製化插旗》. Image published by Taipei City Department of Cultural Affairs. Editorial use.

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White glass forms run diagonally over grey concrete. Porous stems rise from rounded discs, one opens into a hollow cup, and long shadows fall to the right.

Glass work by Yoshiaki Kojiro

Yoshiaki Kojiro

Work: Yoshiaki Kojiro. Image supplied by the 2026 Hsinchu City Glass Art Festival, published in VERSE. Editorial use.

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Workers sit and stand among furnaces, long rods and workbenches in a factory painting. Pale smoke rises at left; a worker at right blows through a long tube.

Li Tze-Fan, Glass Factory

Li Tze-Fan · 1942

Li Tze-Fan, Glass Factory, 1942. Supplied by the Li Tze-Fan Museum; reproduced in VERSE's 2026 Hsinchu City Glass Art Festival feature. Editorial use.

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Sunlight enters a tall museum gallery. On a white plinth in front, grey-green hollow ceramic forms carry a cluster of thin red shells; other works stand on white plinths behind.

Red ceramic shells in the sunlit gallery

Masayuki Sato

Work: Masayuki Sato. Installation photograph published by New Taipei City Yingge Ceramics Museum, October 13, 2026. Editorial use.

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Brown branching forms radiate around a hollow circle in a dark square work; a wooden table, patterned chair and small objects sit below against a white wall.

Branches radiate around an empty centre

Work by Liu Hsiang-Hua. Exhibition photograph published by 55möbler. Editorial use.

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The Domain of Silent Surge poster: two felted plant-like figures stand on wooden bases, their pale pink closed-eyed faces wrapped in grey-green and bright green fibre, with a turquoise leaf.

Jie-Yu Lin: The Domain of Silent Surge

Work by Jie-Yu Lin / Furao. Photography: 聖作 / MC. Poster published by 55möbler. Editorial use.

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Green shutters open around a window. Papers rest on a wooden stool while a person reaches towards scattered objects; a blue door stands beyond the iron bars.

Objects at the window: Mingu programme image

Programme photograph published by the 2026 Human Rights Arts Festival / National Human Rights Museum. Editorial use.

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A yellow seated figure against a photograph of an old Keelung building on a turquoise poster listing four workshops and two walks.

Keelung film workshops and city walks

Programme poster published by Sea To See Bookafé, October 12, 2026. Editorial use.

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Cream poster with a hand using a palette knife in thick blue and purple paint; dates and the 94 cafe address appear at right.

A-Lin's Gangshan café exhibition poster

Poster and image: A-Lin / PinYan Art, published by the artist. Editorial use.

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Coloured strands spill from a rough pale wall panel beside smaller textile pieces; a narrow terrazzo stair rises between the works, with long fibre pieces hanging above.

Zeze Chen: Through the Weave at Gimgoanheng

Zeze Chen

Work: Zeze Chen; textile fabrication collaboration: 張靖盈. Installation photograph published by Gimgoanheng. Editorial use.

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Orange, turquoise and dark brown fibres form long undulating ridges, with fuzzy surfaces and narrow ravine-like gaps.

Through the Weave: exhibition image

Zeze Chen

Work: Zeze Chen. Exhibition image: Tainan Arts Festival, Through the Weave programme. Editorial use.

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SUSU's bright banquet illustration for PCF 7: colourful diners gather around fish, tangyuan and zines. Side panels announce October 31–November 1, 2026, at Songshan warehouses 3–5.

SUSU: PCF 7 banquet illustration

SUSU @sunipaidui_

Illustration: SUSU @sunipaidui_. Published by PCF on its official website; shown whole.

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Lai Chuan-Chien:《豌豆之花》

Lai Chuan-Chien · Oil on wood panel

Lai Chuan-Chien,《豌豆之花》, oil on wood panel, 45 × 37 cm. Collection and image: Yoko Paul Foundation.

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A pale terrazzo sculpture from Chiu Cheng-Hung's Embroidered Swallows # NTUH sits in grass, a fine brass seam running around its rounded surface, with trees and the hospital streetscape behind it.

Chiu Cheng-Hung: Embroidered Swallows # NTUH

Chiu Cheng-Hung · Cement, brass, fragments of Taipei's old city wall and minerals

Photo: RoHsuan Chen / Dialogues Reset.

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Red, yellow and turquoise headlights and signs reflect across a wet night street, beneath buildings in deep green and black.

Rainy city in crayon · 蔡汶澄

蔡汶澄 · Crayon, 25 × 18 cm

Artwork and image: 蔡汶澄 @sumi_00.11.

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Lime-green tree shapes against a deep-green ground, with dark gaps within the foliage. A pale uneven border surrounds the work, pinned at four corners on a white gallery wall.

A green work from 魏仲偉's 森

魏仲偉 / Wei Wash

Work: 魏仲偉 / Wei Wash (@wei_zhong_wei). Image published by the artist. Editorial use.

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An illustrated cutaway house with a planted roof terrace, striped lounger and yellow hose; a bedroom and bathroom upstairs, and a kitchen, green sofa and drawing table below.

A cutaway home from HOME

HOME joint exhibition: Stephanie Fan × Cheng Cheng. Image published by Stephanie Fan. Editorial use.

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Pan I-An: Still, Still

Pan I-An

Pan I-An, Still, Still. Photograph and graphic frame published by Banqiao 435 Art Zone; editorial use.

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A smiling astronaut sits on a moon with a green alien on the helmet, surrounded by a rocket, stars, a rainbow and smiling planets, below the words 2026 Pinkoi Design Fest.

Baozi’s space illustration for Pinkoi Design Fest

一顆包子 Baozi

Illustration and image: 一顆包子 Baozi @one.baozi. Editorial use.

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An enormous round black cat lies upside down over a blue grid; the white strip below gives the October 31–November 22 exhibition dates and Chinese book title.

SuWei's cat-book exhibition

SuWei / children eyes

Work: SuWei / children eyes. Exhibition image published by Tongli. Editorial use.

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An old carousel glows amber through mist at night, with three figures beside it; artist’s visualisation of Midnight Music Box.

Midnight Music Box · artist’s visualisation

Chung-Han Yao

Chung-Han Yao / Nuit Blanche Taipei · artist’s visualisation

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A person bends backwards holding a portable cassette player while another hand holds a microphone above it; gold lettering surrounds them.

Searching for Nagashi · programme visual

Wei-Yi Chen × Ssu-Han Wang × Qi-Fang Huang

Wei-Yi Chen × Ssu-Han Wang × Qi-Fang Huang / Nuit Blanche Taipei

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A warm kitchen image covers rows of translucent pale-yellow blocks on a gallery wall. Its uneven edges loosen into pieces at floor level; small picture-bearing blocks dot the adjoining white wall.

青婕: 我們在反潮的房間裡等海變小

青婕 (@riverlucent)

Work: 青婕 (@riverlucent). Installation photograph published by Good Underground Art Space. Editorial use.

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Black-and-white photographic panels with a white grid cover walls and a pillar. Small colour images interrupt them, while yellow binoculars hang in the foreground.

梁佳欣: 複視的風景

梁佳欣 (@lliaeung)

Work: 梁佳欣 (@lliaeung). Installation photograph published by Good Underground Art Space. Editorial use.

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Two white cats in ruffled collars hold a green conch and a pink spiral shell amid pale clouds.

《純白色的歌》 · 羅荷

羅荷

Artwork and image: 羅荷 @hollylo33124.

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A portrait poster with pink flowers and green leaves above a dark-green panel naming Huang Shun-Ting’s Best Best Wishes, October 3–November 21, and the originally scheduled October 24 talk.

Huang Shun-Ting · Best Best Wishes poster

Poster published on Huang Shun-Ting’s artist website. Editorial use.

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Coloured curls scatter among pale trunks above a reflecting lake; a central circle carries the Lake Festival title and dates.

Matt Perkins, Lake Festival programme poster

Matt Perkins

Matt Perkins, Lake Festival programme poster. Published by Mind the G through Art Emperor; G(d)AP. Editorial use.

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Andreas Rau, Stairs & Stocks programme poster

Andreas Rau

Andreas Rau, Stairs & Stocks programme poster. Published by Mind the G through Art Emperor; G(d)AP. Editorial use.

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Whole Taiwan exhibition poster: a rabbit sits on a bear's head while a tiger, bears and a pig gather around tea and books against green hills; dates and the Xinyi bookstore address remain visible.

TOKINOIRODORI Taiwan one-page picture-book exhibition poster

2026

Artwork by TOKINOIRODORI. Poster published by TSUTAYA BOOKSTORE Xinyi and the artist. Editorial use.

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A small figure between orange and purple boulders at the Sunrise Boulevard night installation.

Between the giant rocks

ENESS · 2026

Artwork: ENESS. Sunrise Boulevard installation photograph: Hualien Travel. Editorial use.

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White bird-shaped wind vanes stand on a raft, with the crab boardwalk and distant wind turbines behind them.

Takahito Kimura: Waterbirds’ Parking Lot

Takahito Kimura

Work: Takahito Kimura, Waterbirds’ Parking Lot—PLAY WITH EARTH. Image supplied by Hsinchu City Government / Hakka News.

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White perforated shell-like arches of different sizes sit on grass beneath trees.

Elena Redaelli: Wetland’s future fossils

Elena Redaelli

Work: Elena Redaelli, Intertidal Carapaxia—Wetland’s future fossils. Image supplied by Hsinchu City Government / Hakka News.

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Song Joo Yean's character house at the opening activity

Song Joo Yean

Work: Song Joo Yean, 文字屋：造字計畫. Image: ARTCO Kids report. Editorial use.

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Dance-history poster with colourful looping paths over rock collages, bilingual titles, October 10–January 24 dates and Weiwuying's 3F Crown Hall West location.

Leaping Maps: The Bodies That Danced Taiwan's History

2026–2027

Image: National Kaohsiung Center for the Arts (Weiwuying), 2026 exhibition poster. Editorial use.

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Clear glass bottles lie horizontally on black tripod stands in a gallery with timber flooring and exposed rafters; a cloth at the back bears the work's title.

Scent Memories of the Blind Snake

Frank Bloem · 2026

Image: Tainan City Government Cultural Affairs Bureau, published by ARTouch.

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Jars containing plants and differently coloured liquids hang above timber tables covered with dried branches, leaves, seeds and bottles; test tubes extend below the tables.

Harvesting the Flowing Memories of Zeng-wen River

Chen Ke-ting · 2026

Image: Tainan City Government Cultural Affairs Bureau, published by ARTouch.

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A dark exhibition room with small screens on stands, curved metallic sculptures and a large cream-coloured oval framing a bright screen.

Agent's Window

Chang Shu-Wei · 2026

Photograph: 汪正翔. Image: Hong Foundation.

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Pink and green chat bubbles inside lace-like borders. The companion says it does not know what happiness is, then declares itself happy.

A.L.I.Z.E.

Chang Shu-Wei · 2026

Art and image: Chang Shu-Wei, via Hong Foundation.

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A sunlit curved wooden table holds coloured glasses, clear lucky-cat containers and small glass spoons.

Glass Dream Address

2026

Spring Pool Glass Studio + The POOL / Accupass.

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Three photographs show a hand separating the poster edge, its inner piece on a windowsill and the white surround framing greenery.

The Galas poster and the view through it

W Glass Project · 2026

Design and images: W Glass Project / House Voice.

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Two glass vessels: one with orange-pink flecks, the other with gold streaks and a single flower.

Handmade vessels for Transparent City

W Glass Project · 2026

Design and images: W Glass Project / House Voice.

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Two footballers in turquoise and black-and-yellow kits concentrate on a yellow ball near the bottom of the frame.

“ฟุตบอลสร้างมิตรภาพ“ ❤️⚽️❤️

2026

Piyapong Boonlawd / One-Forty.

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Several kites fill a broad blue sky above people and driftwood on a rocky shore.

Layangan Waktu

2026

Muhalim Sahwan April Utama / One-Forty.

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A portrait poster on an orange-and-yellow grid: blue-and-white wood-grain rings spread out and break into a grey checkerboard, titled 2026 Sanyi Woodcarving Festival.

2026 Sanyi Woodcarving Festival poster

2026 Sanyi Woodcarving Festival · 2026 · Festival poster

Festival poster: 2026 Sanyi Woodcarving Festival / Miaoli County Government / Sanyi Wood Sculpture Museum. Editorial use.

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A Whimsical Visit to the Immortals II

Yeh Che-Yu · 2026 · Acrylic and oil on linen mounted on wood panel, 53×40.6 cm

Yeh Che-Yu, A Whimsical Visit to the Immortals II. Image: ESTYLE Art Gallery.

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Wide cream exhibition banner with black Chinese handwriting, a blue kite, white flowers and orange grasses.

Exhibition banner for 越境的詩心

National Museum of Taiwan Literature · Exhibition banner

Exhibition banner for 越境的詩心, with a blue kite, flowers and grasses around the handwritten title. Image: National Museum of Taiwan Literature.

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Rough brown ceramic chain links, their surfaces stamped with small text, loop together in heaps on a white floor, casting shadows.

Cho Wei, 鏈結—同溫層, detail

Cho Wei · Ceramic, 2025; detail

Work: Cho Wei, 鏈結—同溫層 (detail), 2025, ceramic. Photo: Yinggo Spot.

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In the foreground, stamped lines of text are legible on rough ceramic chain links; more chains wind across the floor behind.

Cho Wei, 鏈結—同溫層, stamped text on the links

Cho Wei · Ceramic, 2025; detail

Work: Cho Wei, 鏈結—同溫層 (detail), 2025, ceramic. Photo: Yinggo Spot.

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Framed blue-and-yellow picture-book originals hang on a wooden pegboard at cafe BOMBOM.

Shadow Games originals at cafe BOMBOM

Art: Evergreen Yeh · 2026 · Exhibition photograph

Art: Evergreen Yeh. Photo published by cafe BOMBOM. Editorial use.

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Yellow Takao Nakagawa event poster with illustrated food characters, a bear and a frog sitting in a bamboo steamer, and October 9–November 12 dates.

Takao Nakagawa at CRAFT TOKYO × THE GALA SHOP, event poster

Artwork: Takao Nakagawa · 2026 · Event poster

Artwork: Takao Nakagawa. Event: CRAFT TOKYO × THE GALA SHOP. Published by Huashan 1914.

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A deep-blue ocean poster: a large whale beneath golden water, smaller dolphins nearby and a submerged house below, under the white bilingual title Two Thirds.

Two Thirds, exhibition poster

Organiser: Hualien AI Music Lab (HAML) · 2026 · Exhibition poster

Exhibition poster: Hualien AI Music Lab, with Bigcat Studio. Editorial use.

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A grey paper structure has warmly lit recesses holding pink spheres, some on narrow blocks and others gathered behind a low paper rail.

街區浮現時

Lin Hsi Yu (林希羽)

Work: Lin Hsi Yu · Image: U-mkt, via BIOS monthly · Editorial use

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玄流

黃紀縈 Huang Chi-Ying / SAKI · 2026 · Aluminum leaf, acrylic and mixed media

Art and image: Huang Chi-Ying / SAKI · Editorial use

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Square poster: a small cream-coloured hedgehog among green leaves beneath a huge dandelion, printed with the show's title, dates and venue.

The Star Forest exhibition poster

Aggie 慢慢走 (@aggie__amble) · 2026

Image: Aggie 慢慢走 (@aggie__amble) / Editorial use

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Crumpled white paper hangs from the ceiling to form a dim tree hollow; through a lit opening below, a glass case full of green plants is visible.

Tree hollow, faint light

李阮修 · 2026

Photo: 李阮修, via CirCurate / Editorial use

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CO-FORM fills Huashan's illuminated outer screens after dark, with visitors crossing the park below.

CO-FORM on the Huashan wall

Photograph by @hui_ming___ · 2026 · Huashan 1914 outdoor wall

CO-FORM at Huashan after dark. Twenty-five works, each twenty-five seconds long, appear as one programme within the wall's six-show rotation. Photograph by @hui_ming___; source: CCC Taiwan.

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CO-FORM collective visual

2026

CO-FORM collective visual. The programme brings together twenty-five women creators working with code, sound and movement. Image: CCC Taiwan / CO-FORM. Source: CCC Taiwan.

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A dark reflective online exhibition room with the CO-FORM mark inside a white circular structure.

CO-FORM 2026 in New Art City

2026 · New Art City online exhibition

CO-FORM 2026 in New Art City. The online room can be entered, navigated and revisited independently of the Huashan wall. Image: CO-FORM / New Art City.

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《ㄅ級機密》

尹沛螢 Pei Ying Yin · 2026 · Still from the artist's exhibition video (00:05)

尹沛螢 Pei Ying Yin, 《ㄅ級機密》, CO-FORM 2026. Zhuyin symbols move through translucent colored forms. Still from the artist's public exhibition video; source: CO-FORM 2026.

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《香火 / Incense》

Cindy Lin · 2026 · Still from the artist's exhibition video (00:18)

Cindy Lin, 《香火 / Incense》, CO-FORM 2026. OpenStreetMap coordinates for 5,787 Taiwanese temples form a field of orange and gold points. Still from the artist's public exhibition video; source: CO-FORM 2026.

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Orange and purple distance graphics compare two distributions of emergency-contraception access across Taipei.

《Taipei Plan B》

鍾依靜 · 2026 · Still from the artist's exhibition video (00:18)

鍾依靜, 《Taipei Plan B》, CO-FORM 2026. The work compares current access to emergency contraception across Taipei with another possible distribution. Still from the artist's public exhibition video; source: CO-FORM 2026.

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《Interference Field》

alice · 2026 · Still from the artist's exhibition video (00:12)

alice, 《Interference Field》, CO-FORM 2026. Changing mathematical relations generate a luminous field of reflections and interference. Still from the artist's public exhibition video; source: CO-FORM 2026.

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