Taiwanese artists

Huang is a Kaohsiung-based Taiwanese-American musician, DJ and vinyl storyteller.

Work built from the temporary placement and accumulation of ordinary things, left to fall by its own length and weight.

A long project made with his mother, Zhang-jie, as her trust grew and she began deciding how to perform for the camera.

Park ornament, architectural fragments, and collected objects folded into small sculptures of resin, mica and quartz.

Two people from different backgrounds paint together, keeping the gesture and removing the scene around it.

He sets a landscape inside a larger painted field, then rewrites the relation with layers of white, built-up paint and a physical edge.

He begins with a site's existing structures, routes, and boundaries, using light to measure and locate.

He grows ferns, studies taxonomy, and returns to places until he can see what he wants to make.

Her work draws on woodcut, paper cutting, calligraphy, print history, and Nanguan.

Hou studies how screens, architecture, and light affect what viewers see and where they stand.

He spent four years rebuilding his Nangan ancestral house and now shows art, serves food, and receives visitors there.

She rebuilt Little Island Universe with Cao Kai-zhi and shows paintings and fired vessels in the ancestral house.

His video and performance work examines how markets, institutions, media, and generative systems use Asian identity.

She makes ceramic versions of animals from her picture books and paintings.

Kuo keeps the plane central because its appearance changes with position.

Work that begins with animals found dead on the road and rebuilds parts of their bodies in thread and cloth.

Figures taken from film stills and song titles, reorganized through blocks of colour.

In 1998 he pulled a box the length of his body through streets and stations; in 2020 he made the work again.

Sews a Pacavalj flood account, as it survives in a 1935 colonial document, in reverse stitch across roughly nine metres of cloth.

Pencil Walker unfolded from 1996 to 2015: walking, reciting scripture, and wearing a pencil down against the wall.

Gathers shards discarded by master ceramists, joins them without a predetermined shape, and covers the gaps with 24K gold leaf.

Paints on linen with lapis lazuli and other mineral pigments, watercolor and ink, writing passages from the Avataṃsaka Sūtra.

Cleaned and repaired lived spaces at Treasure Hill and Shuinandong over years; the photographs belong to that labour.

Painted paper with ink, lit it, and looked at the resulting space through a lens; when the photograph failed, she went back to the paper.

He left mainstream broadcasting and based his work in Guangrong; the microphone stayed, and so did the bookstore.

Works with portable clam-cultivation equipment, starting from the memory of his father bending to gather wild clams.