Lin Yu-Sheng
Works with portable clam-cultivation equipment, starting from the memory of his father bending to gather wild clams.
Taiwan · installation and moving image · Installation, machinery, moving image
Preparing the Dahan River iteration, 2025
Lin Yu-Sheng · 2025 · Preparation photograph
Preparing the Dahan River iteration, 2025. Lin holds the enlarged clam form outside Banqiao 435 Art Zone. Image source: Banqiao 435 Art Zone / Art Emperor. Editorial use.
Editorial useView source ↗
Lin Yu-Sheng uses wind-driven machinery, clam shells, sand, sound, and video in a portable long-term project. It begins with a memory of his father bending to gather wild clams and carries a changing shoreline, aquaculture landscapes, and wind-energy infrastructure with it.
Sources
- KMFA exhibition page for My Mobile Clam Shack ↗ — Dates, venue, materials, opening and conversation times
- Art Emperor: illustrated 2025 record ↗ — Images of the 2025 iteration, the wind-powered cultivation pool, and the artist's introduction
- Banqiao 435 Art Zone: 2025 Dahan River iteration ↗ — The organizer's record of the 2025 iteration
- 2 Days Studio: Lin Yu-Sheng ↗ — Artist record
Current and upcoming exhibitions
- UpcomingMy Mobile Clam Shack: Southern Deployment Trial
September 5 – October 18, 2026 · Tuesday–Sunday 09:30–17:30 · closed Monday · opening September 5 at 14:30, conversation 15:00–16:30